Originally posted by katman:
Originally posted by lt-m-grow:
Another thing that helps is to pull a little harder with your top finger (verses your middle finger or all three equal). I know is sounds funny but what it does is move the max string pressure up, closer to center.
If you think about shooting split, the middle finger puts that same pressure on the same string location.
Agree totally, if I drag my ring finger the bow is definitely louder. I try and let first two fingers work and very little ring finger, smoother and quieter release for me. [/b]
Timing of this thread is good. I was blind bale shooting yesterday and noticed a similar thing (i shoot 3 under). I was working on alignment of my bow arm (keeping a straight line from nock, knuckles, wrist and elbow, THEN keeping this line as level as possible (trying to keep my elbow lower).
When my elbow is high, I evidently twist/ torque the string to some degree counterclockwise (viewed from behind), and my right hand ring finger puts a lateral force on the string AWAY from my face-resulting in noise, occasional corkscrew arrow flight, and less "zip" on the arrow.
I tried shooting with only "2 fingers under" (index and middle finger) early on. This helped. It led me to thinking how much my lower/ ring finger could be twisting the string out with my elbow in a higher than desired position. Then I tried things to lower my elbow, and work on draw arm straight lines/ alignment
I tried applying some things from "The Wedge" form video on YouTube, specifically trying to keep my bow arm, left and right shoulders in a straight line, while keeping a straight line with my drawing arm (which, if done, you make a triangle as viewed from above- with your upper drawing arm being the third side of the triangle). This helped. It allowed me to lower my draw arm elbow (reducing ring finger lateral/"away from face" string pressure), and feel a "centered"/even feeling on my 3 finger release to the point I started getting straight arrow flight, and quieter release. Evidently, I wasn't twisting the string as much with this approach.
I also found I had a more relaxed head position, as the string was closer to the anchor point. There was a feeling of "comfort", or non-stressed neck muscles in the fully drawn position. Not quite an "ah hah moment", but close. I had a crisper, quiter release, and nice arrow flight.
If I didn't do the blank bale shooting drill, I probably never would have noticed this twisted feeling on the bowstring with my draw hand. It really does focus attention on release. I was even shooting with closed eyes- and that seemed to magnify draw hand/finger/string sensitivity. That's when I noticed the string twist feeling.
Will reinforce yesterday's work later today.
Synopsis? Are your 3 drawing fingers twisting the string? Draw arm elbow higher than ideal? It's a "lever" for ring finger outward string pressure. If so, try to find ways to reduce / lower this within your body type. Try 2 fingers under as a quick test.
Good luck.