Eric,
I have to agree with MB. You've really progressed quite nicely, remarkably so, considering you're translating a long sequence of physical skills from the written word, and getting 90+% of it right.
Also, MB has covered all the major points that I can see on your video; however, I'll try to elaborate on a couple of the tips he gave you.
When standing in front of a mirror, face on, in your simulated, full draw position, actually use an arrow. Rest the point in the groove between your index finger and thumb of your bow hand, and the nock on the index finger of your drawing hand. (It's a bit easier for a 'split finger shooter as the nock goes between the fingers.) Now, go to your anchor point position. You should be able to see right down the shaft, and watch the arrow in the mirror disappear as you raise the arrow to point on. You'll be able to see only the point and the cock feather if you have an anchor point properly aligned with your aiming/dominant eye.
Now for your bow hand: As MB has pointed out, you have rolled your hand around the bow so far to the right (counter clockwise) that I'm surprised you're not hitting your bow arm with the string. What we 'aim' for, pun intended, is to support that draw wt with bone that doesn't tire and collapse, rather than with muscle that does tire and collapse. So, place the left edge of the grip along your 'life line', the line that delineates the meaty area at the base of your thumb. That will place the grip right in that meaty area between the line at the immediate base of your thumb, the one in line with the left edge of your extended index finger, and the life line at the meaty base of your thumb.
Now, when drawing your bow, relax your bow hand, which will go to an upright position, as if signaling "to stop" and let the draw wt of the bow actually be supported by the bones in your arm. Your relaxed fingers will loosely curl around the back of the bow grip.
I personally use a finger sling so that I don't grip my bow at all, but that's my personal preference. The string connects to my thumb and middle finger so that I don't drop my bow with every shot execution.
A couple more items: When you're in your back properly, as all your shots appeared to be in your rear angle film clip, there is no tension any place along your arm and shoulder. The only tension is in your "hook", your fingers holding the string. The rest of your arm and shoulder should be nothing but a relaxed link connecting your "hook" to your trapezius muscle, which is holding all the draw wt.
And finally, when working on individual aspects of your form, i.e., anchor point, or bow hand tension, work as you are, close to the bale, but with your eyes closed.
BTW, I don't get into my back 100% of the time either. That's the goal for which we strive, and it's a constant battle, for me.
Good Luck. Keep up the Good Work, and foremost, Remember to keep it Fun!