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Author Topic: a whittling knife  (Read 488 times)

Offline Scott Roush

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a whittling knife
« on: January 05, 2010, 11:09:00 PM »
I know this isn't a hunting knife, but some of you must like whittling at camp right?

Well anyway... My uncle who is a top notch duck decoy carver gave me one of his used Eric Frost mora carving knife blades and I put this birch bark with osage and walnut on it. I did this while waiting to get my kiln wired in my shop for working up all the steel I have now. But this thing feels great in the hand and I brought the blade back to razor edge sharpness. I didn't bother with trying to polish the rest of the blade.

The handle has a linseed oil finish that is still hardening.  Next time I'm gonna use tung oil.

 

Offline prarieboy

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Re: a whittling knife
« Reply #1 on: January 05, 2010, 11:39:00 PM »
Unique I like it!
Look up!It's ALL above us.

Offline Steve Nuckels

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Re: a whittling knife
« Reply #2 on: January 06, 2010, 08:35:00 AM »
Oh that's nice!  You did a great job on the handle!

Nice picture too!

Steve
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Potomac Forge
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IN GOD WE TRUST

Offline Scott Roush

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Re: a whittling knife
« Reply #3 on: January 06, 2010, 09:28:00 AM »
Thanks Steve.... but something went awry on the color profile of that pic when it went online. The tone is too warm (orangish). Looks okay for the wood... but the blade looks odd.

I'm in the process of building a soft box for photographing knives and other small implements.  These things vastly improve the lighting for shiny blade like things. If anybody is interested in how this works... let me know.

Offline Steve Nuckels

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Re: a whittling knife
« Reply #4 on: January 06, 2010, 06:17:00 PM »
Yes!  I'm interested in improving my photos!

Steve
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Potomac Forge
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IN GOD WE TRUST

Offline Scott Roush

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Re: a whittling knife
« Reply #5 on: January 06, 2010, 07:41:00 PM »
well the main problem with photographing things like knives is that they have shiny surfaces. So... you either need to use soft natural light or reflected flash light.... not direct light from a flash! Otherwise you get blown out highlights... glaring white spots in the picture that are distracting.

When shooting your stuff outside... do it early in the morning or at sunset. Otherwise you get washed out colors and blown out hightlights from direct sun.  If shooting midday, only do it on overcast days.  I love cloudy days for shooting close ups. That is how you get truly saturated colors in your image. The problem with this is that you often need a tripod to be able to get sharp images in the lower light.

For shooting indoors, I'm making a 'soft box'... sort of a mini studio for shooting small things.  Basically I'm taking a 3'x3' cardboard box and lining it with something white. I will probably just use white printer paper... but if you had some styrofoam that would work too. Then you wanna set a light bulb (incandescent! Not flourescent!) in an aluminum reflector (like this:  http://www.harborfreight.com/cpi/ctaf/displayitem.taf?Itemnumber=98486&xcamp=google&utm_source=googlebase&utm_medium=cpc&zmam=33951326&zmas=12&zmac=112&zmap=98486)  and orient it below the box and pointed to the top of the box. The idea is that you want the light to reflect off the white lining of the box down to your knife which gives you nice, even, soft lighting.  So on the bottom of the box you put some kind of background for your knife. Whatever your imagination tells you.  One thing I've seen that will be really helpful is to use clay to orient the knife so that your blade bevels and other things show up the way you want it to. You can form the clay under the knife to achieve the angle that you want.  Then you can just hand hold the camera and try different compositions until you get what you want.  One thing to remember though is depth of field. The closer you get to your subject, you will lose depth of field... meaning that some things are in focus and some things are not. This can look really bad. So... if you have manual settings on your camera you want to make sure you are shooting with a small aperture i.e. F22 or F16. But this might be too much!

Anyway... let me know if this is interesting or confusing and I will try to clarify.  

oh... one more important thing... learn how to turn your flash off if you are using a small automatic camera! Those cheap flashes kill photos.

Offline Scott Roush

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Re: a whittling knife
« Reply #6 on: January 06, 2010, 07:58:00 PM »
also... the shot I took for this thread is why I'm building a soft box.  I had to really work to prevent blown out spots because I was shooting indoors under flourescent lighting and had to use a flash. I use a professional DSLR camera and I can take my flash off and put it on a cord so that I can move it around to get the lighting that I want. I also put a small nylon diffuser over the flash to help prevent harsh glares and provide more even light distribution... and I can also power down the flash. That is key... being able to power down your flash.  The picture came out nicer than what is being seen here... like I said.. it is orange looking for some reason.

Offline OconeeDan

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Re: a whittling knife
« Reply #7 on: January 06, 2010, 08:01:00 PM »
Nice knife!
Do a search on "photo light tent".
Dan

Offline Scott Roush

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Re: a whittling knife
« Reply #8 on: January 06, 2010, 08:05:00 PM »
Thanks Dan. Yup... I'm making a free photo light tent.  The ones you see commmerically are often designed to put the light above the subject... I think for knives it's better to use reflected light.  But playing around with a combination of the two might be a good idea... I dunno.

Offline Scott Roush

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Re: a whittling knife
« Reply #9 on: January 06, 2010, 08:43:00 PM »
Here it is with a better color profile:

 

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