Title: Howard Hill's Method of shooting the Bow and Arrow. On amazon for $30. Let me be perfectly blunt. Like my wife pointed out, I have been preaching pretty much the exact same information to beginners for years. What is new in this is Jerry's protocol on how to make it work. He does not give a detailed development of the form, but he does point out that the bow hand comes up slightly ahead of the drawing hand, like Schulz does, and comes down a bit at the end of the draw. For many that downward slide at the end of the draw, as can be seen in any Howard Hill film, is less distinct, but it is easier for the eye to handle a slight subtractive position change than a totally additive movement from the hip up to the stopping point. Yes, it is a swing/spread draw, it can be done with any bow and it is more ergonomic for the shoulders if done properly. What I do is make newbies watch the John Schulz film, then go out and shoot super slow motion with very light bows until the form is grooved in. "Howard would actually have us count, one, two, three, four, five , shoot." That high speed stuff is for a ways down the road, most people do not take the time to work out the finite details and want to get to a fast and furious tempo, way to quick. In the film of Jerry, he shows a considerable holding time on the still shots. For newbies that are doing their best to kill my garage when we back up to 15 yards, I put a large red ball on the ground about where the arrow crosses the arrow shelf, when they tell me the ball is in the wrong spot and they are hitting the target, i kick the ball away and tell them to make their own spot without looking directly at that spot. In almost every case with longbow shooters this will turn into an automatic response or 'conditioned' instinct at shots under 30 yards. However, some people like to squeeze it at full draw with a longer aim for static shooting, I say there are certainly advantages to be able to shoot fast, but if that is not your thing, go ahead and squeeze it at full draw. Remember, this is not point of aim, it is selecting a secondary 'imaginary' aiming spot that is only viewed in peripheral vision, while direct focus is only at the exact spot you want your arrow to hit. if you miss by a foot, move that secondary spot by visual ratio that same degree that you missed, but never look at anything but the center of the center where you want your arrow to go. you can train your eyes by fixing your focus on an exact spot and then pointing an arrow, without drawing the bowstring, at various other objects, until you get good at it. That will take less than an hour of total time of practice for most people. Your eyes will see two arrows indirectly, one for the left eye and one for the right eye, the arrow to the left and probably up a little, is the right eye if you are fake drawing right handed. The converse if you are left handed. This can be done very fast and in process after some time, but do not rush it. Once your eyes are trained to use your secondary vision in this manner, it will seem to be the most natural thing. For those that claim to not see two arrows when practicing this, have not done it and are doing a bit of leg pulling.