Originally posted by BLACK WOLF: When trying to engrain form to the point it becomes instinctive...I personally don't like shooting at a target...because it can destract me from my goal by shifting some of my concentration to the target rather than the aspect of my form I'm trying to work on.
Okay Ray, it appears we're on the same planet.
I was suggesting that a target would at least provide more feedback than simply shooting at a blank bale, without even knowing the object of the exercise. But since you do now acknowledge that you work on
aspects of form, it seems you agree that one should know what one is attempting to achieve in some detail. Which is what I said: GOOD form is the object. Not merely bale practice ad nauseam, as often recommended and perhaps unintentionally suggested by yourself.
Actually though, zinndl, I think bale practice is probably a poor remedy in your particular case. You can bale-work on relaxing your release, but I guess the problem is too strong a focus on aiming. So once that aspect re-enters your shooting, the bale work will have achieved very little (because it excluded the actual problem). You actually need to shoot at targets a lot, I'd say, and work out a way of relaxing your mental attitude to aiming. That will probably be a thing between you and yourself - i.e. psychological and different for every one of us.
That said, however, one of the reasons I gave up the 'pointing' aiming method you describe is that it's sometimes hard to see that line down the arrow into the spot. It's a pretty sensitive sight picture, which can undermine confidence and lead to over-focus. The stringwalking sight picture, for example, is much simpler and thus more solid.
Best,
Martin