I've read Kidwell's chapter on target panic several times, and what he says about target panic as a conditioned reflex makes a lot of sense. I also believe his drills to prevent or cure target panic will work for people.
I think Steve B. is hitting on an important issue above, however, that I would like to discuss. He says, "When I came to full draw my mind had a harder time controlling all of the variables that were going to throw the arrow off target. I consciously focused on the different elements of my form but my shots were inconsistent anyway and my mind could not get a hold of the problem and became confused and the whole process snowballed into a psychological turmoil."
If I am reading him correctly, he had anxiety because he was focusing during his shot on elements of his shooting form that were not coming together as they should have. I think this feeling of anxiety is one reason we have target panic in archery, but don't develop a similar conditioned reflex in some other activity that requires actions to be performed in a timed sequence. If the timed sequence in some other activity did result in anxiety, then maybe there would be some equivalent of target panic in that activity also.
I think a lot could be done to reduce target panic if the anxiety that the shot was not coming together as it should could be reduced. So how do we do that?
I think the best way to do that would be to do something that I have had preached at me my whole archery life, but have never really practiced much. That is, to separate working on form from shooting for accuracy. Kidwell also mentions this in his book, that we can't expect to hit what we're shooting at unless 100% of our concentration is on the target.
That means that zero percent of our concentration can be focused on our shoulder allignment, our back tension, our bow arm, and whether we are coming to full draw. If we are focusing zero percent of our focus on those things when we are shooting for accuracy, they shouldn't be able to cause us much if any anxiety.
On the other hand, when we work on form, by shooting at a blind bale at close range with no target, we can focus 100% of our attention on whatever form element or elements we want to work on, and zero percent of our attention on hitting anything in particular. Since we're not trying to hit anything, I would think this would be a low anxiety situation also.
I don't think this bifurcation would be effective in solving hard core cases of target panic, but might work as a preventative or in cases where target panic hasn't really grabbed hold.