Trap – I am sorry, I apologize, I did not mean to call you “Jack”
Trap – I love you. You ask great questions, that need to be answered. If I disagree with you it is only because we have different points of view, which is healthy.
As you suggest, the artist could have been mixed up a little and painted grain on the 60 Kodiak and didn’t paint grain on the 60 Kodiak Deluxe.
However, as for the black and white overlays on the riser shown horizontally… While you may be correct on this point, remember tip overlays, riser overlays, coins and other easily changed cosmetic features are simply just that, cosmetic features that you will find many variations in over time. No disrespect intended, but collectors who put 100% store in dating bows by overlays, are going to be very disappointed when I ask them to date the odd ball bows in my collection by using only the factory original overlays. If we are betting money or bows, they will loose this bet every single time. Remember, there are lots of exceptions in overlays, especially 1960 bows.
Your next statement is very true!… “If the image was created by an artist there's no assurance that your "Holy Grail" even exists,..”
Equally true is the fact that if an artist created the image exactly as the photograph was, the “Holy Grail” may still exist.
Trap – You also state… “You could turn the un-documented variation into a documented variation.”
I am sorry, but on this statement, you are incorrect. First, this is already a “documented variation” as it is shown in the 1960 Catalog, and is clearly documented.
I am looking for an Unfound “Documented Variation”… (even though you have your reasons to suspect the documentation is not accurate)
For the past two decades I have been looking for this bow as shown in the 1960 Catalog… Please don’t tell me that there is no possibility that it exists…
What do you want to bet, that evidence will be presented that you are incorrect on this point?
What if we each put up a 60” Rosewood Sight Window 1959 Kodiak ???